| Wo: |
Did you see the Captain and Commander Riker?
|
| Da: |
No. Are they not here on Starbase?
|
| Ta: |
No. We thought...
|
| Ge: |
You mean they are still on board the Enterprise.
|
| Wo: |
Yes. Sir, where is the transporter room?
|
| Da: |
We have to beam back and get them.
|
| Ke: |
You haven't time.
|
| Co: |
This is Starbase 74. The Enterprise's magnetic field is regenerating.
|
| Ge: |
Wait minute. How is that possible?
|
| Co: |
Unknown.
|
| Ta: |
The change is nothing. The Captain and Commander Riker must be in
trouble
and we'll(?) be here.
|
| Ke: |
Now(You?) look. Your ship is almost clear.
|
| Me: |
And the boy never found out?
|
| R : |
Oh, yes. But until later again back in the room with little sister.
|
| Me: |
Oh, that both of them all smiles.
|
| R : |
Yes, but by that time both of them were found out.
|
| Me: |
You handled that in very thoughtful way as if?? they are good people.
Don't you agree, Jean-Luc?
|
| P : |
She is so very different from other images we experienced on holodeck,
isn't she? She is, she is more intuitive.
|
| R : |
It's as though she can talk to myself conscious. She already knows what
I want to say before I'm aware of myself.
|
| P : |
I supposed it understandable progression. Computers make decision
based on imports(inputs?). We humans give off a multitude of subtle
signs
that(in it?), that communicate our emotions.
|
| R : |
It's on(a?) canny. I could develop feelings for Menuet, exactly as
I would for any woman.
|
| P : |
Present love always begins that way. The illusion's more real than
the woman.
|
| Me: |
Oh, Jean-Luc, spoken like a true Frenchman.
|
| P : |
Well, I'm gonna be leaving.
|
| Me: |
Oh, don't go.
|
| P : |
Two's company.
|
| Me: |
We have time. There's no rush. I really like it if you would stay.
|
| R : |
Yes, Captain stay.
|
| P : |
This is your diversion, Number one, not mine.
|
| Me: |
Wait. We haven't danced.
|
| P : |
I don't dance.
|
| Me: |
Then, some more wine.
|
| P : |
No, thank you.
|
| Me: |
Wait. Please, please don't go. You can't, not yet.
|
| R : |
Why? What's the matter? Why can't he leave?
|
| P : |
Exit.
|